Sunday, October 29, 2017

Pieces of Light


Pieces of Light

By Armando Ortiz


The world is a jet stream that takes him to world divine,


and if he conducts with respect he won’t be condemning himself to die,


but if passing to the next life a condemned man,


then let that light hit like a bullet, as the first ringing of a bullseye.


Walk and talk with truth and deep valleys with flowery meadows


will not only be recorded from his eye,


but that warm texture of soft hands that make ephemeral mudra signs


will guide the way, to the other side of the divine


that texture of time will be with him till eternity


and all that’s left is but a nothing dark night.


Friday, September 1, 2017

Montemartre, Paris

Sacre Coeur, Montemarte, Paris by Armando Ortiz
Sacre Coeur

Montemartre, Paris
by Armando Ortiz
Mars
            I’d gone to visit my friend, Scott, and sat on the couch, talking about personal matters –former lover contacting me, my current emotional state, and my overall state in light of many other concerns. Then I asked what he had been doing. He’d been watching some YouTube videos on the breakdown of Greek gods. I saw listed there before me, Mars meaning Ares, God of War. Then it hit me like a flash. I am an Aries, and was born in March. I’d just returned from a trip to Paris, and there visited Sacre Couer in Montemartre, where the church is located. Montemartre means the mountain of Mars. I had returned to that spot a second time before leaving the city the next day, to see the sunset. I’d read about its history in passing but never really made the connection. That last day though, I saw the clouds gently move and separate, like cotton candy being stretched with one’s fingers. The sky slowly turned champagne, rose and as the sun slowly sunk became a dark zinfandel.

Aries
            I told Scott that I was born in March, under the Aries sign. To make things more provocative I also mentioned to him that the constellation next to Aries was Persus, which was an eerie coincidence that my first name was Percy. I was a bit surprised to realize that Montmartre was my mountain. I was mostly taken by Sacre Coeur’s white washed dome and pillars. It was one of the newer basilicas, one a hundred years old, but being that it was on top of a mount, it gives great views of Paris. You can also see the imposing church from the Eifel Tower and other parts of Paris, so if it wasn’t the tower it was the church on mount mars that oriented me and in many ways reminded me that I was in Paris.

Eiffel Tower at a distance
            On my first visit to the church I’d wandered its streets and taken a multiplicity of photographs on my phone. I saw foreigners with “selfie sticks” trying haphazardly to take pictures of themselves. What has happened with asking a stranger for a photo? Not that I went out of my way to offer help. Many faces from different places around the world sat on the steps and just gazed out looking at the city, talking, laughing, and contemplating amongst friend, with an occasional sip of their beer or wine. Some people even had picnics happening in the grassy area of the stairs that lead down to Place Saint-Pierre. All was well on top of mount Mars, and for a person born in March under the Aries sign, things couldn’t have been better.


Sacre Coeur at a distance.

Monday, August 7, 2017

Roberto Bolano's Woes of a True Policeman: Book Review

Woes of a True Policeman: Book Review

By Armando Ortiz

In Woes of a True Policeman, Roberto Bolano seems to weave a narrative that appears to be developing ideas for his magnum opus 2666. Despite this connection, the novel stands independently, centering on new characters like- Padilla. As the lives of Professor Amalfitano, Rosa Amalfitano, Archimboldi, Pancho Monje and Padilla intersect, Bolano delves into the intricate complexities of human relationships, the quest for artistic and human fulfillment, and the enthralling mystery of self-discovery.

Professor Amalfitano’s journey epitomizes the challenges of grappling with identity and political turbulence. As a leftist intellectual, he traverses various Latin American universities, forced to make difficult compromises while embracing his daughter Rosa’s budding independence. Her discovery of his sexuality disrupts their lives, highlighting the contrast between societal expectations and the pursuit of personal truth.

Rosa’s evolution into adulthood echoes her father’s struggles, marked by her relationship with Jordi Carrera and her subsequent relocation to Santa Teresa. As Rosa navigates the streets, we witness her transformation, mirroring the essence of the city itself- constantly flowing, evolving and embracing new identities.

Intriguingly elusive, Archimboldi, the reclusive and revered writer, embodies the allure of literary artistry. Bolano paints a picture of his literary success, yet paradoxically keeps his personal life shrouded in mystery. Archimboldi’s life somehow mirrors the ethereal nature of creativity, where the artist’s true life and essence remains enigmatic, even amidst critical acclaim.

Pancho Monje’s resilience, borne out of adversity, presents a stark contrast to the enigmatic artists. Raised amidst strong women, Pancho’s path into the police force is one of determination and bravery. His infatuation with Rosa adds a foreboding touch to the complexities explored within the novel.

Central to the tale is the writer Padilla, whose presence exudes both the allure and mystery. Amalfitano’s encouragement of Padilla’s writing becomes a poetic dance of letters, underscoring the profound connection between mentor and artist. Padilla’s nocturnal wanderings and encounters with outcasts add layers of intrigue and a hint of darkness to the narrative.

As Bolano weaves the lives of these independent yet interdependent characters, Woes of a True Policeman emerges as a tapestry of self-discovery, intellectual pursuit, and the fragility of human desire. The novel seemingly stands as an extension of 2666, where characters intertwine in Bolano’s world, facing risks and discovering the heartbeats of the cities they call home.

Through the journey of these characters, Bolano explores the universal quest for understanding and rediscovery. Whether it is Professor Amalfitano embracing his true self, Rosa navigating her new world, or Padilla wandering the nocturnal streets, each character embarks on an emotional and social journey that becomes the essence of their existence.

In short, Woes of a True Policeman stands as an independent testament to Bolano’s storytelling mastery, enriched by its interconnectedness to 2666. Within its pages, we witness the human spirit traversing the labyrinth of emotions and societal expectations, captivating us with the rawness and vulnerability of self-discovery. As the characters confront their chimera, it is through their triumphs and tribulations that they transcend mere literary figures, resonating as poignant reflections of our own human complexities.




Wednesday, July 19, 2017

Sinchon, Seoul: Figaro


Figaro
By Armando Ortiz
            I listen to the piano keys, the slow tempo of Tchaikovsky emerges from the speakers, and for a moment the wind plays its passing sound of placid branches slightly swaying. I recall Figaro, a clown. She sold balloon sculptures to people in Sinchon- the area to go “play” if you we’re in your twenties and living in Seoul. She once told me that she had studied piano in college and had hoped to become a pianist. She never explained how she became a clown, instead gave me evasive answers or silent pauses. I bumped into her multiple times, and in all those breaks we talked English, my Korean was still basic. She was like a cat that has no owner, and freely visits you at night, crouching and observing for an hour or so. Perhaps once in a while will take some of your left overs that one places on a plate, but quickly leaves as you move your arm to try to make contact with your palm, only the tips of two fingers brush against a few soft hairs.
One day, an American decided to make a pass on her, and for unknown reasons, maybe the placement of the stars and universe, I happened to be passing bye with some of my friends. I saw the happy red face that was painted as she ran towards my way with scowl. She grabbed the arm and pulled my body to where the potential opponent was. For a part of a quickly passing second, I saw the reflection of her desperation on the Plexiglas of the convenient store. As I was being pulled she was telling me how he had disrespected her. We ended up arguing for a bit, with brief posturing but he eventually left with his pals disappearing into the passing crowds of people.
I recall another time when I was coming back from the Ewha subway station which is on the hill. It was around half past three in the afternoon, and the weather was pleasant. The leaves on the maple trees that lined the streets were a bright green, not yet fully reaching their late summer darkness. It must have been early in the summer, prior to when the World Cup swooped on to the country. The metro was located midway up a hill, like it is almost everywhere you go in Seoul. She was placidly walking up the slope. Her steps were steady as she moved towards my direction. From afar she looked like Renoir’s The Clown, but with livelier pastels. Approaching, she appeared to be a multi-colored penguin, and with each step placed to the ground looked as if her polished red over-sized boots slapped the ground. We briefly talked. Korea being a mostly homogeneous nation has such a wide ranging conservative standard that there is a tendency to dress conservatively in public, though the young people are a bit more casual in their attire. She was an odd one out- no stylish pumps or purse to carry.
She was not the only odd person in that area, but she certainly was no gutter-punk like the ones you found in Heundae or even a troubled youth that hung out near the play area of Sinchon. She was a clown, with big paddle shoes, like the burger clown back home, and she worked alone. The multicolored clown suit made her look twice her width. She was petite, a clown none the less, and if you were drunk enough she looked like a beach ball from afar.
The only exposed areas were her hands, which I had quickly noticed. She had small palms, but perfect for her size. Her nails were not manicured, but lotion kept them soft. They were swarthy but not as dark as my own, and they still looked young, maybe she was in her mid to late 30s- about ten years older than me.
When she found out that I’d be returning to the states she told me to go to a small shop located near the main avenue that partitioned Sinchon and Heudae.
“Go down that street and there will be store with a green sign, go in and tell them that Figaro sent you.” Maybe what she said was, “come with me to this small shop I want to give you something.”
She gave me a wallet, and inside was a photo of us standing together. Now, I wonder where that wallet is and under what boxes, and piles of papers that photo could be. Figaro, a piano player who sold balloons, that was her name, and before I left Korea, gave me a present.
What might she be doing? Does she still go around making pouncing dogs or splendid flowers out of balloons? Does she talk to the other foreigners that walk down the alleys perusing shops in search of a good maekju spot or a cheap dak-galbi place?