Farewell to Manzanar: Book Review

Farewell to Manzanar

By Armando Ortiz

            The book Farewell to Manzanar details the life of Jeanne Wakatsuki Houston, before, during and after World War Two. The book tells the story of her family that lived at the Manzanar War Relocation Center, which is located in Manzanar, California and the different modes of socialization that shaped her life; from family, religion, media and the people she met at camp. It is also about her life as an American that despite being U.S. citizen she was treated differently, and regardless of all the barriers that were confronted, hopes and dreams, as well as independence were nurtured in her family.

            I was surprised to find out how quickly Japanese-Americans became targets soon after the bombing of Pearl Harbor, and the haste with which they were relocated to camps. People took advantage of them by paying pennies for the valuables and property that they owned. Nonetheless, the narrative shed some light into the manner in which people cope with tough circumstances. At Manzanar, a community formed and people adapted to their new environment and made the land theirs, for example a lot of the bungalows started to have small stone monuments in front of every entrance, and the community built a small park to have normality in their lives.

Jeanne’s father was authoritarian and influenced her life and though as time passed she lost respect for him, his disposition in conjunction with an adventurous spirit and independent mind were aspects of his character that greatly socialized her. Having taken the risk of moving to America, and spending time in places like Idaho and Washington made him a man with a full life experience. There is a point in the story where she tells of the time she wanted to convert to Catholicism and he tells her that she was not old enough to think for herself, thus stopping the conversion process. Jeanne describes an instance where Mr. Wakatsuki and her brother, Woody, had a long discussion on the rational and moral consequences of becoming a soldier for the United States. Eventually, Woody, joined the Army and went on to fight in Europe. It was through such examples of giving his children feedback that Jeanne and Woody were raised to think for themselves independently.

While growing up in Inglewood, her access to Japanese culture was limited, but at Manzanar she came to discover socio-cultural similarities between the community that developed there with its traces of Japanese culture, and the American culture she knew outside of camp. At camp, she learned about Japanese traditional dancing, and was exposed to Japanese aesthetics and symbols, like rock gardening. This was well illustrated when she explained the connection between the Japanese National Anthem, also known as “Kimigayo,” and the Japanese belief that even in a barren landscape, like a rock island, hope can exist, which is symbolized by the moss that grows on the rock.

Religion was a socio-cultural force that she kept experiencing throughout her stay at Manzanar. There catholic nuns offered catechism classes to the community, and at one point she decides to convert to Catholicism though she was too young to really understand the choices she was making. Though not explicitly told, her experience at Manzanar accented certain aspects of Japanese culture in her life. Towards the end of the book she states her belief in spirits and ghost, as she explains the sense of respect and silence that gripped her during a visit to Manzanar as an adult, solidifying her belief of Shinto traditions.

Media and mainstream culture were prevalent throughout her life and she connected more with Western and American culture than her Japanese heritage. She knew the different actors in films, and had liked watching television. Extracurricular activities like baseball, and ballet classes were available. Though different forces passively and actively influencing her life, slowly, and progressively an identity of individuality was being forged in Jeanne.

            

Music in Los Angeles and the Hotbed of Talent: Birthday Weekend

Birthday Weekend

by Armando Ortiz

My extended birthday weekend began a few days before Spring Break, soon after completing my last final at Cal State L.A. Once that was done my brain shut down and all I wanted to do was relax. A day before my actual birthday began, and during the self induced brain coma of not learning theories and ways of teaching, and with a somewhat rested body that had had two days of longer sleep and endless hours of downloading music, a pre-celebration took place. The day before the big birthday a friend, Tom, would be performing at the Hard Rock Café in Hollywood with Rivet, a local hard rock band, with whom he plays bass.

My friend Tom on the bass.

I arrived early to find a spot to sit, but inside the place was packed with people of all kinds eating burgers and other greasy foods. The shatter and murmur of the people was a mixture of English and other languages that I did not have the time to decipher  There was a pit where most of the family tables were located and where the majority of people sat and that's where I stood for a while searching for my friends. I began texting Tom but there was no reply, so I kept walking around the venue until I found his wife, Semmy, at a distance. I approached, announcing my presence and she took me to the green room where Tom and the band were getting ready and chatting it up with the other bands that were competing in the Battle of the Bands, which included Lookin' For Trouble, Take 48 and Kid Gramophone.

Rivet

After a few minutes of being introduced to the other members I ordered a Hard Rock burger, a Cesar salad and a glass of water. It might have been one of the best burgers I’ve had in a while, though it wasn’t able to replace the tasty Tommy’s Burgers' sloppy tastiness  In the middle of the meal Rivet went on stage and began blasting away with their hard sonic rock sounds. Their style resembles a slower version of Queen’s of the Stone Age with a bit of an edge to the lyrics. I left the burger half way and went out to the pit where a mass of people was gathering and swaying to the live music. As everyone stood watching them perform energy began to fill the entire room, these guys were in the pocket and were getting the crowd into their music. Their set ended and everyone cheered them on applauding the four song performance. Returning to the green room greetings and congratulations, along with handshakes were given and the burger that was left on the table was finally finished. All there was left were specks of fries and smears of ketchup. I'd requested to go in late to work that night, and once all formalities were done I took La Brea Ave south to LAX. The drive was about thirty minutes, and from the hilly slopes of Hollywood one could see the grey fog at a distance, but once driving past Jefferson and driving through the oil fields that divide Los Angeles from Inglewood, the watery clouds were beginning to settle. This is one of the few spots in LA that while driving makes you wonder how it must have been driving these areas fifty years ago, when there was more nature and less people. The incandescent street lights gave a light orange glow that perfectly blended into the natural and man-made Los Angeles landscape. The drive to work was smooth and easy matching well with the music that was coming out of the speakers of the car- Lil Keke's Addicted 2 Fame.

            The next day was the birthday celebration which was a bit subdued due to extenuating circumstances that made me want to relax more than go out and party. After completing a tutoring session with my student at the Chinatown Service Center a bee line to the LA Bakery was made, where I bought a delicious chocolate mousse cake. I was going to go home to eat cake with coffee, and relax, maybe watch a netflix film. Nonetheless, after relentless calls and questioning from a friend I decided to go check out a local band called Buyepongo. 

Honduras Kitchen flyer:
Punta Cartel

            I took the 10 Freeway east, and exited Alameda, making a turn at the stop light and then drove to the place, but missed my destination by a few blocks. Driving around the mean streets of South Central was a reality that had to be lived out at that very moment. I finally got to the venue, Honduras Kitchen, at around ten thirty in the evening, which is located on Santa Fe and Slauson. It was my first time there and the parking space in the locale was packed, so the security guard suggested parking the car across the street from where the place was. I contacted my friends, who were inside their car, too scared to go out and blend with the environment. Entrance was simple with a cover charge of ten dollars. Once inside we were told to go to the table that was nearest to the band that was performing at that moment, Cumbia Cartel, who is made up of musicians that are from different parts of the Caribbean and Central America. The performance they put down was good, and one of the guys even had a set of instruments made of turtle shells. Their combination of West African beats with their mixture of accordion like synthesizer at times made for a very enjoyable rhythmic ride. I was transported to a beach, where I drank cold coronas, enjoying the punta/cumbia beats that were emanating from the instruments of those unknown musicians.

Buyepongo

Once their set was done DJ Subsuelo began his hour long set, which started out good, but ended up turning into an odd mix of cumbia and house, which was made a bit hectic with the house sound systems which was out of whack. Finally, Buyepongo began their set. They do not need all that sound system stuff to get their groove on because once they start playing the dancing begins and things get off fast with people beginning to move to their groove. The venue was ideal for a band like theirs because the need to connect a lot of electrical and sound devices is not necessary. What especially stands out from this particular band is how well they sound as a whole unit, and the fact that they play a variety of instruments makes them one of the more versatile and original bands in the Los Angeles area. They have soul, grove, estilo, and some firme sounds that will make anyone get up and dance. My good friend Ismael, though, who is more of an observer and an analyzer of people decided to stay in his seat, next to his wife. I went up to the dance floor and asked a lady to dance, who moved like a snake, and swaying like a Heron. She would quicken her pace with her youthfulness, and moved as if her feet were touching fire, with a seasoning of ritualistic fire dancing, I was humbled but was too excited to care because I was in the pocket. There is a sense of satisfaction that comes when thinking of the choice that was made for that day because Buye always puts on bad ass shows, and the fact that beautiful women show up and are down to dancing with anyone is one big incentive to show up and shake one’s skeleton.

House Lounge flyer featuring
all the bands.

            Saturday evening had me at the edge of Maywood. To continue my celebration and for entertainment purposes my friends invited me to dance some Spanish rock at the House Lounge, which changes their name to El Ritual on Saturdays. To my amazement there was a huge Ska concert in the back of the venue, which everyone that entered the club had access too. The bands there were getting down and a giant mosh pit had been made by a giant human circle that moved clockwise. The scene was a bit intimidating, seeing people in their twenties with beer bottles, and Pendleton shirts buttoned up while others wore wife beater shirts made you think twice of where you stepped, but I walked around and found a sweet spot where I could watch the show without being bothered by some crazy mosher that might suddenly push you. I climbed on a platform that was beside a wall and from there watched The South Central Skankers, Matamoska, and Roncovacoco put on a show that was a mixture of punk and symphonic banda trumpeteering that included about two saxophones and one trombone. I went back inside and bought a beer and there found my friend swaying to music from Heroes Del Silencio. Though the mosh pit was big and lots of people would join the pushing and the bumping nothing serious happened. I ended my night by driving west on Washington Blvd to where I live.

Good Micheladas

Flyer for the nigh's event.

            My weekend ended with meeting up with a good friend at Eastside Luv located in Boyle Heights where there was yet another live performance, but this time it was a lady’s show with women that were not only beautiful but very talented. There was a lady whose name I never got who was busting out some amazing mariachi songs, and was being backed up by a female band that played the fiddle, the guitar and a guitar bass. Eastside Luv has one of the best micheladas that I have had anywhere in Los Angeles. The show, which was a 5 dollar cover charge, was really good and made the drive east well worth it. I even got to see Marisoul who makes up part of the La Santa Cecilia, a very talented band that has been touring the southwest for a good minute. My birthday weekend ended, and I had to finally wake up from the brain haze and readjust to the new quarter and picking up from where I left off. 

Me

Growing up in Los Angeles (Part Fourteen): Los Angeles Pompeii

Part 14: Los Angeles Pompeii

By Armando Ortiz

I walked across campus today, from the student union out to the new library. Every step I took brought back reminders of when I’d walk the dry and brittle field. The Southern California summer sun shone on me and the perspiration on my body transported me to that time, when days were hot, and afternoons were spent playing baseball, practicing catch with brown leather gloves, and drinking from the water fountains.

Today, a layer of grey concrete and black asphalt covered it all, like the sweat that covered the body after running up and down the bleachers that were there, the field was not there anymore, but was with me (but my feet were walking on the grass).

Layers of memories and strata of former realities lie beneath, unexposed to the eye and deep as the Grand Canyon, like the strawberry shortcake that I’d cut for my birthday. Like a time capsule that silently waits to be uncovered, unearthed at once as we walk past once beaten paths.

It seemed like walking through library stacks and passing encyclopedias of instances that were covered within the new structures. Then I imagined giant Caterpillar engines tearing through walls, crumbling adobe foundations and old rail tracks, and within the creamy icing and layers of cake I would find pieces of strawberry. Birthday celebrations and a time of carefree childhood came to be. Rows of dusty tomes describing a Los Angeles that was, with its collective history of gestures and looks, with smiles and frowns, with unknown pine boxes covered in dirt and memories hidden in that forest of the mind like a Pompeii of the American dream, like a desert mirage that dissipates as we arrive.

For an instant, I think of those Shanghaied from foreign lands, desperados enslaved in native shores, of the families that came from distant countries, traditions casting shadow of when the elderly were cared for and plates of food that were always shared. Images instantly conjured up by the mind, but I return to the present, and remember the child that didn’t fear the sun, and the home-runs that were scored during the endless afternoons.

The real libraries of this city are edited by film crews, and bulldozed by giant yellow tractors, reconstructed by unregistered names, making sterilized versions of what was and isn’t, projecting a collective memory of the population, but my experience is here on this land and on that invisible and forgotten field. Memories are like shadow puppets to the mind, every surface has unseen layers of personal experience and every detail is hidden behind a blinding silhouette.

Potter fields talk to us with multi-colored beaded work, Jade bracelets, and Mexican silver coins, click clack against each other inside Chumash baskets, where golden Mormon books, adjacent to iron skillets, porcelain pipes with sage, and tomahawk smokers filled with opium adorned by the scattered burial incense of tobacco, veiled over by cement sidewalks that are imprinted with acronyms of local hoods.

Hieroglyphs spray painted on the walls of crumbling plastered walls testifying of the presence of earth’s gypsies, shadows of the past casting images with the present light on nameless graves where mummified miners lay forgotten. What memories did they take into the eternal time clock?

Walking across campus also brought back that tumultuous time, when glass pipes were used and broken, and jitteriness was a vexing reality, mother would come home tired and unharmed at half past eleven, after the sirens and flashing red lights disappeared from down the street. Unknown shadows would merge with darkness stabbed by the hand of death that quickens time. The glare of the television had us captive and its luminosity kept us safe from the wails of night, its images somehow magically protected the home.

These memories unwove themselves with every step that I took and loosen up the dyes and the fabric that have always been there, like the time two junkies started fighting in front of the apartment and the hollow acoustics that could be heard outside the window, when a head bounced off the concrete sidewalk and the person laid motionless. We would order pizza to be delivered to the unsuspecting neighbor next door.

Now there is more of everything everywhere, throngs of students here and there, countless pedestrians exiting the subway, like a faucet that gushes people. Maybe I’m just getting old, becoming nostalgic for the past, somehow though the memories are there within the layers of experience and within the brush strokes of life’s moment, everlasting, the child inside the adult me, but I am here now.

We walk through every valley on this earth, and in death voiceless bones cannot be silenced and sacred artifacts, like holy temples that stand on perfect space, speak volumes of truth to me and everyone else.

The science building is not there, nor is the library, only a barren grassy field where time went by slowly because the memories we made on fields of grass, will carry us through the golden meadows of time becoming holier than thou art and thou was. And even when we return to the slides of our youth that have been replaced by condominiums images, like Lazarus are revived. It is in those visions, conjured up by memory, despite places covered over by a new strip mall, where we hear the hollow clang of the aluminum bat that sent the ball flying over their heads and it will be like it always has been, with the sun shining over our withering bodies.